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響慕片 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

the ways of men(繁断議返粁)-及3何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��


have persuaded many weak´minded people that these defects are charming 

when combined in an individual of their breed。 

     The     fox  in   the  fable�察  �who    after  losing    his  tail   tried  to  make    that 

bereavement the fashion�察�failed in his undertaking�察�Dutch canal´boat dogs 

have�察    �however�察    �been    successful     where    the   fox   failed�察  �and   are   to´day 

pampered   and   prized   for   a   curtailment   that   would   condemn   any   other 

animal ��except perhaps a Manx cat�� to a watery grave at birth。 

     I   can   only   recall   two   instances   where   canine   sycophants   got   their 



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deserts�察�the first tale ��probably apocryphal�� is about a donkey�察�for years the 

silent victim of a little terrier who had been trained to lead him to water 

and back。 The dog ´ as might have been expected ´ abused the situation�察�

while pretending to be very kind to his charge�察�never allowed him to roll 

on the grass�察�as he would have liked�察�or drink in peace�察�and harassed the 

poor   beast   in   many   other   ways�察  �getting�察  �however�察  �much   credit   from   the 

neighbors for devotion and intelligence。 Finally�察�one day after months of 

waiting�察�the patient victim's chance came。 Getting his tormentor well out 

into deep water�察�the donkey quietly sat down on him。 

     The other tale is true�察�for I knew the lady who provided in her will that 

her entire establishment should be kept up for the comfort and during the 

life of the three fat spaniels that had solaced her declining years。 The heirs 

tried to break the will and failed�察�the delighted domestics�察�seeing   before 

them a period of repose�察�proceeded ��headed by the portly housekeeper�� to 

consult     a  ;vet;  as  to  how    the   life  of  the  precious    legatees   might    be 

prolonged to the utmost。 His advice was to stop all sweets and rich food 

and give each of the animals at least three hours of hard exercise a day。 

From that moment the lazy brutes led a dog's life。 Water and the detested 

;Spratt;   biscuit�察  �scorned   in   happier   days�察  �formed   their   meagre   ordinary�察�

instead of somnolent airings in a softly cushioned landau they were torn 

from chimney corner musings to be raced through cold�察�muddy streets by 

a groom on horseback。 

     Those two tales give me the keenest pleasure。 When I am received on 

entering   a   friend's   room   with   a   chorus   of   yelps   and   attacked    in  dark 

corners   by   snarling   little   hypocrites   who   fawn   on   me   in   their   master's 

presence�察�I humbly pray that some such Nemesis may be in store for these 

FAUX   BONHOMMES   before   they   leave   this   world�察  �as   apparently   no 

provision has been made for their punishment in the next。 



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         CHAPTER 3 ´ Cyrano�察�Rostand�察�

                                   Coquelin 



       AMONG the proverbs of Spanish folk´lore there is a saying that good 

wine   retains   its   flavor   in   spite   of   rude   bottles   and   cracked   cups。   The 

success of M。 Rostand's brilliant drama�察�CYRANO DE BERGERAC�察  �in 

its   English   dress   proves   once   more   the   truth   of   this   adage。 The   fun   and 

pathos�察�the wit and satire�察�of the original pierce through the halting�察�feeble 

translation like light through a ragged curtain�察�dazzling the spectators and 

setting their enthusiasm ablaze。 

     Those   who   love   the   theatre   at   its   best�察  �when   it   appeals   to   our   finer 

instincts    and   moves     us  to  healthy    laughter   and   tears�察  �owe   a  debt   of 

gratitude to Richard Mansfield for his courage in giving us�察�as far as the 

difference of language and rhythm  would allow�察�this CHEF D'OEUVRE 

unchanged�察  �free   from   the   mutilations   of   the   adapter�察  �with   the   author's 

wishes and the stage decorations followed into the smallest detail。 In this 

way  we   profit by  the   vast   labor   and   study  which   Rostand   and   Coquelin 

gave to the original production。 

     Rumors   of   the   success   attained   by   this   play   in   Paris   soon   floated 

across to us。 The two or three French booksellers here could not import the 

piece   fast   enough   to   meet   the   ever   increasing   demand   of   our   reading 

public。 By the time spring came�察�there were few cultivated people who had 

not   read   the   new   work   and   discussed   its   original   language   and   daring 

treatment。 

     On   arriving   in   Paris�察  �my   first   evening   was   passed   at   the   Porte   St。 

Martin。 After the piece was over�察�I dropped into Coquelin's dressing´room 

to shake this old acquaintance by the hand and give him news of his many 

friends in America。 

     Coquelin in his dressing´room is one of the most delightful of mortals。 

The effort of playing sets his blood in motion and his wit sparkling。  He 

seemed as fresh and gay that evening as though there were not five killing 

acts behind him and the fatigue of a two´hundred´night run�察�uninterrupted 

even by Sundays�察�added to his ;record。; 



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     After the operation of removing his historic nose had been performed 

and the actor had resumed his own clothes and features�察�we got into his 

carriage and were driven to his apartment in the Place de l'Etoile�察�a cosy 

museum        full   of   comfortable      chairs    and    priceless    bric´a´brac。     The 

conversation   naturally   turned   during   supper   on   the   piece   and   this   new 

author   who   had   sprung   in   a   night   from   obscurity   to   a   globe´embracing 

fame。 How�察�I asked�察�did you come across the play�察�and what decided you 

to produce it�拭�

     Coquelin's reply was so interesting that it will be better to repeat the 

actor's   own   words   as   he   told   his   tale   over   the   dismantled   table   in   the 

tranquil midnight hours。 

     ;I had�察�like most Parisians�察�known Rostand for some time as the author 

of a few graceful verses and a play ��LES ROMANESQUES��which passed 

almost unnoticed at the Francais。 

     ;About four years ago Sarah Bernhardt asked me to her `hotel' to hear 

M。     Rostand     read   a  play   he   had    just  completed      for  her。   I  accepted 

reluctantly�察�as at that moment we were busy at the theatre。 I also doubted if 

there    could    be   much     in   the   new    play   to   interest   me。    It  was    LA 

PRINCESSE LOINTAINE。   I   shall   remember   that afternoon   as long as   I 

live�   �From   the   first   line   my   attention   was   riveted   and   my   senses   were 

charmed。 What struck me as even more remarkable than the piece was the 

masterly power and finish with which the boyish author delivered his lines。 

Where�察�I asked myself�察�had he learned that difficult art�拭�The great actress�察�

always   quick   to   respond   to   the   voice   of   art�察  �accepted   the   play   then   and 

there。 

     ;After the reading was over I walked home with M。 Rostand�察�and had 

a long talk with him about his work and ambitions。 When we parted at his 

door�察  �I   said�此   �In   my   opinion�察  �you   are   destined   to   become   the   greatest 

dramatic poet of the age�察�I bind myself here and now to take any play you 

write   ��in   which there   is   a   part   for   me��   without   reading   it�察 �to   cancel   any 

engagements I may have on hand�察�and produce your piece with the least 

possible   delay。'   An   offer   I   don't   imagine   many   young   poets   have   ever 

received�察�and which I certainly never before made to any author。 

     ;About six weeks later my new acquaintance dropped in one morning 



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to   read   me   the   sketch   he   had   worked   out   for   a   drama�察  �the   title   role   of 

which he thought would please me。 I was delighted with the idea�察�and told 

him to go ahead。 A month later we met in the street。 On asking him how 

the   play   was   progressing�察  �to   my   astonishment   he   answered   that   he   had 

abandoned that idea and hit upon something entirely different。 Chance had 

thrown in his way an old volume of Cyrano de Bergerac's poems�察�which so 

delighted   him   that   he   had   been     reading   up   the   life   and   death   of   that 

unfortunate poet。 From this reading had sprung the idea of making Cyrano 

the central figure of a drama laid in the city of Richelieu�察�d'Artagnan�察�and 

the PRECIEUSES RIDICULES�察�a seventeenth´century Paris of love and 

duelling。 

     ;At   first   this   idea   st
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